I have been awfully bad to this blog. Clearly I have commitment issues. If this blog were a person, it'd totally have abandonment issues, because I am that kind of person to cause that. Which is what I get criticized the most from my mom, "you are too selfish, you never care for others." She is right, like all mothers are. I don't know why I just can't bring myself to CARE, thus the commitment issue. Full circle.
Really, I shouldn't be so cruel to this blog. The reason being that this is the only place I can be fully self-obsessed and not be judged. This lack of judgement coming from lack of viewership, which I intend to keep that way. We live in a generation of self-absorption, and I guess I am as self-absorbed as they come. Me, me, me; I, I, I. Every moment of my day. To be a functioning member of society though does not allow for that luxury, so when I am out in society then I refrain from talking about myself, lest I seem like one of those run-of-the-mill selfish types. But all that suppression is killing me, so this blog became a bit necessary for my sanity.
Combine that with my commitment-phobia, then you get a love/hate relationship between me and my blog.
Anyway, enough. Changing the subject (what a great segue), I watched Midnight in Paris the other day, with Owen Wilson, Rachel McAdams, Marion Cotillard and Tom Hiddleston. Oh I guess Kathy Bates is in there too, and Alison Pill. I have always been wary of Woody Allen films, because I was always afraid I wouldn't get it. But this one was sort of fantasy rom-com, so it was approachable. Plus I would have watched anything with Tom Hiddleston in it, that's just a given. This movie was wonderful, eclectic without being overly awkward. The premise is good, so that really helped. And the fantasy part helps to explain all the plot holes, so that's just a bonus. I feel like Hemingway had all the best lines, and Rachel McAdams could have easily been replaced by anybody. And not enough Tom, as always.
Paris was like the invisible character. It's all they talked about, and it's everywhere and nowhere at the same time. I suppose a great city has that effect on movies. Same thing for New York, except people don't really wax poetic about it, nor do they try to come up "NYC is the most beautiful when..." Except You've Got Mail, they did a whole spiel on that very topic.
Not that it was life-changing or anything, but Midnight in Paris did inspire me to check out the Fitzgeralds, and a couple of other artists mentioned, like Bunuel, and Gertrude Stein. It was the era of names like Gertrude.
At this point in time I need to bid thee adieu. It's way past my bedtime and I am not as young as before. You can tell that I'm tired by me employing such an obvious statement that would no doubt elicit a loud and resounding 'duh' from me if I were more awake.